15 items
![Video thumbnail — Busta Rhymes - Woo-Hah!! Got You All In Check (Official Video) [Explicit]](https://i.ytimg.com/vi/EQzvQO2LcA4/maxresdefault.jpg)
The human cartoon of 90s rap—hip-hop's most watchable man, a blur of dreadlocks and rubbery limbs who moved like he was made of springs. Trevor Smith stole posse cuts for a living and built a solo career on being impossible to look away from.
The barking Yonkers growl who crash-landed on the glossy late-90s rap charts like a dog off its chain. Earl Simmons snarled prayers over Swizz Beatz beats, made Ruff Ryders a household name, and opened a #1 movie at the box office. Equal parts menace and open wound, he was hip-hop's most ferocious voice when it needed one most.
Written by guitarist Matt Slocum and sung by Leigh Nash, this track from Sixpence None the Richer's 1997 self-titled album went nowhere at first. Everything changed in early 1999 when Miramax picked it for She's All That and it landed on Dawson's Creek's soundtrack the same spring. The song detonated, peaking at No. 2 on the Billboard Hot 100 in May and becoming an instant 90s classic.
Born in 1982, LeAnn Rimes released "Blue" at thirteen in 1996 and became an overnight country sensation with an impossibly mature voice. She won Grammy Awards for Best New Artist and Best Female Country Vocal Performance in 1997, becoming the youngest person ever to win those awards. Her 1997 ballad "How Do I Live" spent a record 69 weeks on the Hot 100—Billboard later ranked it the most successful song of the 1990s.
George Michael's 1987 hit "Faith" was a four-week No. 1 and a defining pop moment of the '80s. Limp Bizkit took it and weaponized it: quiet verse, explosive down-tuned chorus, turntable scratches. The cover became the radio hit that broke the band to the mainstream.
The Jacksonville metal band that defined nu-metal's MTV dominance. Fred Durst's backwards red Yankees cap and Wes Borland's shock-value body paint made them impossible to ignore. They broke through with a cover of George Michael's "Faith" reimagined as down-tuned metal. They became the sound of late-90s TRL, then evaporated just as fast.
![Video thumbnail — The Notorious B.I.G. - Juicy (Official Video) [4K]](https://i.ytimg.com/vi/_JZom_gVfuw/maxresdefault.jpg)
Brooklyn's rap king — Christopher Wallace, aka Biggie Smalls — whose effortless flow and vivid street storytelling made him the defining East Coast voice of the mid-90s. His 1997 murder, still unsolved, cut short one of hip-hop's greatest careers at just 24.
A goofy three-piece from Seattle armed with a two-string "basitar" and a three-string "guitbass"—and no apologies. The 1996 single off their triple-platinum debut hit No. 29 on the Billboard Hot 100 and charted around the world. The video put them in an orchard where the trees grow cans of peaches, until ninjas ambush the band mid-song. "Movin' to the country, gonna eat a lot of peaches" has lived in heads rent-free ever since.
The Vermont jam band that never had a hit single and never needed one. While the radio played everyone else, Phish built an empire out of marathon two-set shows, fan-taped cassettes traded hand to hand, and festivals so big they were briefly the largest concerts in America.
From college-radio cult band to the thinking fan's arena colossus — R.E.M. was the bridge between the 1980s underground and the 1990s alternative explosion. "Losing My Religion" and "Everybody Hurts" became anthems for a generation, and the Athens, Georgia quartet proved that you could be smart, cryptic, and absolutely massive all at once.
Three women put frank, funny, sex-positive talk on pop radio at the height of the AIDS crisis, daring stations to blink and winning with a wink. Salt-N-Pepa turned consent and pleasure into a chart singalong—and later spun the same beat into an act of public health, rewriting the verse to preach AIDS prevention.
The Orange County lifers who took punk from the underground to total radio domination in one 1994 stroke. Smash became one of the best-selling albums ever released on an independent label, with "Come Out and Play" and "Self Esteem" detonating on modern-rock radio. A second, goofier peak followed with Americana and "Pretty Fly (for a White Guy)." Decades later, frontman Dexter Holland finished a PhD in molecular biology—and the band never stopped touring.
The best-selling American girl group since the Supremes. T-Boz, Left Eye, and Chilli fused hip-hop, R&B, and a playful safe-sex message into era-defining hits — "Waterfalls," "No Scrubs," "Creep" — in baggy streetwear that a generation copied.
Dublin's titanic arena-rock band, who peaked once in the 1980s and reinvented themselves entirely in the 1990s as ironic multimedia spectacle. The Nineties U2 was fearless—Berlin studios, video walls the size of buildings, prank calls to the White House. They nearly broke up, then wrote "One" and changed everything.
The Los Angeles band that made being a nerd sound like the coolest thing in the world. The 1994 "Blue Album" and its Spike Jonze videos — the Happy Days-themed "Buddy Holly" chief among them — turned Rivers Cuomo's sweater-clad geek-rock into a generational touchstone.