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The moody, art-deco afternoon cartoon that gave a generation its definitive Batman — and its definitive Joker. Painted skies on black paper, a full orchestra, and stories that never talked down to the kids racing home to catch it.
Ten-year-old Ben Tennyson's summer road trip becomes an alien adventure when he finds the Omnitrix — an alien watch that locks onto his wrist and transforms him into ten different heroes. Every kid wanted the Omnitrix toy, and every playground became a forum for debating which alien was the coolest.
Three kids on a dare in a haunted mansion free a wish-granting phasm named Flabber, wish themselves into their favorite comic-book heroes, and get the comic's villains thrown in for free. Saban's bug-armored cousin of Power Rangers, with a house full of monsters as the sitcom half.
A 14-year-old turns half-ghost in an accident with his parents' ghost portal, gets an alter ego, and starts protecting his town — all while his own ghost-hunting parents think he's the enemy. The theme song is one millennials still recite word for word.
"I am the terror that flaps in the night... Let's get dangerous." The Disney Afternoon's masked mallard fought crime across St. Canard with a giant ego, a gas gun, and a new self-introduction every episode — while trying to raise his adopted daughter Gosalyn on the side.
Kids' WB's manic 1995 superhero: a computer bug turns nerdy teenager Dexter Douglas into Freakazoid, who knows everything on the Internet and has no self-control. It was the third Spielberg–Warner Bros. cartoon, after Tiny Toons and Animaniacs.
The washed-up 1960s Hanna-Barbera superhero who traded crime-fighting for a law degree and spent twelve minutes a week defending Fred Flintstone, Shaggy and the rest of the Saturday-morning gang in court. Adult Swim's surreal legal sitcom premiered the night the block launched in 2001, with Stephen Colbert voicing both the deranged boss of the law firm and a paranoid prosecutor.
Ordinary people wake up with extraordinary powers, and NBC's 2006 serial made watching them find each other appointment television. "Save the cheerleader, save the world" became the rallying cry of a show that felt, for exactly one season, like it could save television too.
The risky bet that built an empire. Marvel Studios' first self-produced movie hired Robert Downey Jr. — a comeback story playing a comeback story — and let him improvise his way into "I am Iron Man." Then Samuel L. Jackson showed up after the credits, and sitting through credits became a national habit.
Seven superheroes, the voices that defined a generation, and Bruce Timm's vision of what DC could be on its own terms. Justice League premiered on November 17, 2001, and became the epic centerpiece of the DC Animated Universe.
Five teenagers morph into color-coded superheroes to fight Rita Repulsa and her rubber monsters in Angel Grove. Haim Saban's audacious adaptation of Japanese suit footage and American cheesiness became an unstoppable juggernaut—kids bought the toys, wore the costumes, and shouted "It's morphin' time!" in playgrounds across America.
A lonely kid's imaginary superheroes turn out to be real, and off he goes to Planet Drool in smeary red-and-blue 3-D. Nobody who was a child in 2005 forgot the dream song, the Land of Milk and Cookies, or a pre-Twilight Taylor Lautner scowling in a shark suit.
Disney's superhero high school movie, where freshmen get sorted into Heroes and 'Hero Support.' Will Stronghold — powerless son of the world's two greatest supers — starts ninth grade at a school that floats above the clouds, and Kurt Russell plays super-dad with total sincerity.
Sam Raimi's 2002 Spider-Man was the superhero film that launched a thousand blockbusters — a scarlet-and-blue origin story with real stunts, genuine emotion, and Tobey Maguire's earnest Peter Parker. The upside-down rain kiss, Willem Dafoe's scenery-chewing Green Goblin, and 'with great power comes great responsibility' became templates for how to do superhero cinema.
The Saturday-morning web-slinger a whole generation still hears when they read a Spider-Man comic. Fox Kids' 1994 series gave Peter Parker an inner monologue, a rogues' gallery two decades of cartoons had skipped, and cliffhangers that made Monday recess a spoiler zone.
Virgil Hawkins was a Black high-school kid from Dakota City who caught electromagnetic superpowers and became Saturday morning's most grounded hero. Static Shock spent four seasons on Kids' WB taking on gun violence, racism, and bullying — subjects superhero cartoons usually sidestepped — without ever losing its sense of fun.
The anime-influenced DC superhero show that nailed the mid-2000s tonal whiplash — dark arcs one episode, gag-faced slapstick the next. Puffy AmiYumi's theme is still stuck in your head. Cartoon Network cancelled it after five seasons in 2006, and the 2013 spinoff only made fans madder.
Brandon Lee in black-and-white face paint, a crow on his shoulder, Detroit on Devil's Night. The 1994 gothic revenge film became a legend for the saddest reason: Lee was killed by a prop gun with days of shooting left, and the movie was finished without him. The soundtrack topped the charts.
Heath Ledger's Joker turned Christopher Nolan's Batman sequel into the event film of 2008 — a then-record $158.4 million opening weekend on the way to a billion dollars worldwide and a posthumous Oscar. "Why so serious?" was everywhere that summer.
![Video thumbnail — The Incredibles - Official® Trailer [HD]](https://i.ytimg.com/vi/ixKqYNMqcnE/maxresdefault.jpg)
Pixar's 2004 superhero film about a family forced to hide their powers in suburban normalcy — Mr. Incredible, Elastigirl, and their kids Violet, Dash, and baby Jack-Jack. They're drawn out of retirement to battle the villain Syndrome, and the film balances family comedy with genuine action and heart. The Academy Award–winning film proved animation could deliver both laughs and thrills.
Fox Kids' superhero parody: a huge, blue, nigh-invulnerable hero who isn't very bright, his sidekick Arthur, a former accountant in a moth suit, and a battle cry of "Spoon!" It was made for kids, and adults turned it into a cult hit.
Adult Swim's saga of a failed super-scientist, his two dim teenage sons, their secret-agent bodyguard Brock Samson and a butterfly-themed archnemesis who gets his arching assignments from a villains' guild. Jackson Publick and Doc Hammer's riff on Jonny Quest grew from a 2003 pilot into seven seasons of comics-nerd world-building, all of it, as Hammer put it, about "beautiful sublime failure."
The summer 2000 movie that made superheroes respectable — black leather instead of spandex, Patrick Stewart and Ian McKellen lending Shakespearean gravity, and an unknown Australian named Hugh Jackman popping the claws. The modern comic-book boom starts here.
To a generation of Saturday-morning kids, this was the real X-Men: five seasons on Fox Kids, one impossibly urgent guitar theme, and stories lifted straight from the comics. Wolverine, Rogue, and Gambit were household names years before Hollywood caught up.