29 items
Eminem's semi-autobiographical 2002 drama, following a broke Detroit kid chasing rap glory from a trailer park to the battle stage. Its climactic freestyle showdown and the Oscar-winning anthem "Lose Yourself" made it far more than a vanity project.
"Stay classy, San Diego." Will Ferrell's mustachioed 1970s news anchor Ron Burgundy and his idiot news team gave the 2000s an endlessly quotable comedy — "I love lamp," "60% of the time, it works every time."
Adult Swim's gleefully nonsensical cartoon about three anthropomorphic fast-food items — a milkshake, a box of fries, and a wad of meat — sharing a house in New Jersey. It made no sense on purpose, and it accidentally shut down Boston.
The film that nearly died at the box office six weeks after 9/11, then rose from the dead through midnight screenings and DVD to become the 2000s' defining cult artifact. A nightmarish fever dream about time loops and a rabbit suit that you'd lend to friends with just 'watch it' and argue about until 3 a.m.
Pete Wentz's swoopy black fringe, Patrick Stump's soaring voice, and song titles that ran on forever. "Sugar, We're Goin Down" ruled TRL and Warped Tour, making Fall Out Boy the pop-punk face of the MySpace era.
Short hair gelled into stiff spikes with the tips bleached pale blond — the signature boy-band-era men's look. If a guy on TRL had it, so did half the boys at your school.
Google's email that launched with a then-unthinkable gigabyte of free storage — so much that people assumed it was an April Fools' joke. During the invite-only beta, a Gmail invite was a genuine status symbol.
The cane-tapping misanthrope, the puzzle-box cases, the Vicodin addiction, the mantra that everybody lies, and the rule that it's never lupus — House was the prestige procedural where every disease was a mystery to solve. Hugh Laurie's imperious Dr. Gregory House became appointment television for the 2000s and the most-watched show in the world in 2008.
Born into Hollywood royalty but broke through on his own terms—as the troubled daydreamer who became every indie film's favorite wunderkind. By mid-decade, he'd pivoted into blockbusters without losing the arthouse credibility, proving the 2000s' best leading men didn't have to pick a lane.
The gloriously weird PS2 game where you roll a sticky ball that picks up thumbtacks, then cats, then cars, then whole skyscrapers. A candy-colored oddity with an unforgettable soundtrack that became an instant cult classic.
Reese Witherspoon as Elle Woods, the pink-clad sorority queen who follows her ex to Harvard Law and out-lawyers everyone. A 2001 sleeper hit that made "bend and snap" a catchphrase and launched a franchise.
America's freckled sweetheart of the mid-2000s — Freaky Friday, Mean Girls, a pop album, and a tabloid spotlight that never switched off. For a few years, Lindsay Lohan was the reigning teen-movie queen.
The denim silhouette that exposed everything — waistbands that barely qualified as clothing. Low-rise jeans paired with visible thongs and belly-button rings was THE Y2K uniform, and photos from this era still make you cringe.
Tiny weighted plastic beans with painted faces that flipped, wobbled, and raced down plastic tracks. "Play 'em, race 'em, collect 'em" — a pocketful of these got traded around every 2003 playground.
The cherry-red Mountain Dew that felt genuinely edgy in 2001 — a new flavor, a darker can, and a tongue-staining color that made regular Dew look tame. It was the drink of LAN parties and late-night gaming.
![Video thumbnail — My Chemical Romance - Welcome To The Black Parade [Official Music Video] [HD]](https://i.ytimg.com/vi/RRKJiM9Njr8/maxresdefault.jpg)
The eyeliner-and-marching-band emo icons behind The Black Parade. Formed in New Jersey after 9/11, MCR gave every mid-2000s teenager an anthem — "Welcome to the Black Parade," "Helena," "I'm Not Okay" — and a look.
For the first half of the 2000s, Nelly was pop-rap's biggest crossover star — the Band-Aid-cheeked St. Louis rapper behind "Hot in Herre" and "Dilemma," a run of singalong hits that owned radio, MTV, and the charts.
The anti-late-fee revolution in a red envelope. Netflix mailed you DVDs one at a time, and you could keep them as long as you wanted — the ritual was hypnotic, and your queue said who you were.
Jamaican lovers-rock over the handclap-driven Diwali Riddim—the sound of spring 2003 radio. Wayne Wonder's sweet R&B float became the riddim's most perfect vessel.
![Video thumbnail — O.A.R. - "Shattered" [Official] Music Video](https://i.ytimg.com/vi/Qa5Mawz92xU/hqdefault.jpg)
The jam band MTV never gave a platform but college kids couldn't live without. O.A.R. — "Of A Revolution" — spread dorm to dorm on burned CDs of live shows, a band you heard about from a friend long before you ever heard them on the radio. By the time they sold out Madison Square Garden in 2006, the underground had simply become too big to ignore.
The internet's favorite bait-and-switch: click a promising link, get Rick Astley's 1987 "Never Gonna Give You Up" instead. Born on 4chan in 2007 and peaking in 2008, it's the prank that never really gave up.
![Video thumbnail — WowWee Robosapien Demo [Chrome Gold] (2004 Model)](https://i.ytimg.com/vi/Jj2Sk9hQ1ew/maxresdefault.jpg)
The 14-inch robot that kicked, punched, belched, and did karate chops — all on command. Designed by a Los Alamos robotics physicist and demoed endlessly at mall kiosks, Robosapien was the "future is here" toy of the mid-2000s.
The hospital show that could cut from a surreal daydream about a floating head to genuine grief—all in one episode. Scrubs proved that comedies could be funny and devastating, that a laugh track wasn't required when your writing was this sharp, and that TV bromance could hit as hard as any drama.
The get-caught-and-just-deny-everything anthem of 2000 — Shaggy and RikRok trading a call-and-response about brazenly denying an affair. An accidental single that became a number-one smash on both sides of the Atlantic and a karaoke staple forever after.
The free app that made video-calling normal, with its blue logo and unmistakable ringtone bloop. Launched in 2003, Skype connected long-distance friends and family over early broadband — and became a verb before Microsoft bought it.
The swivel QWERTY phone that made AIM mobile before smartphones existed. The Sidekick was the texting status symbol — if you had one, you were cool.
The Denver piano-rock band whose earnest, mid-tempo anthems were the sound of mid-2000s radio and every emotional TV montage of the era. "Over My Head" broke them; "How to Save a Life," supercharged by Grey's Anatomy, made them huge.
The pre-YouTube dream of TV in your pocket — one purchased episode at a time. VideoNow played 30 minutes of Nickelodeon cartoons on a chunky handheld screen, and the black-and-white original felt both cutting-edge and primitive.
The pack-in game that turned the Nintendo Wii into a living-room phenomenon — tennis, bowling, boxing, baseball, and golf played by swinging the remote. Grandparents, house parties, and flying Wii-motes; it got everyone off the couch.