The Last of the Mohicans

Michael Mann directed The Last of the Mohicans for release on September 25, 1992, pulling the story from James Fenimore Cooper's 1826 novel. The cast anchored the film: Daniel Day-Lewis as Nathaniel "Hawkeye" Poe, the civilized-yet-wild frontiersman, and Madeleine Stowe as Cora Munro, a British colonel's daughter caught between two worlds during the French and Indian War. The film's central scene — the waterfall, the vow — is the part everyone remembers. Hawkeye tells Cora to stay alive whatever comes. "I will find you," he swears, and that promise became the film's entire emotional core.

Behind the scenes, the score revealed how close films ride to collapse and recovery. Mann had originally commissioned an electronic score from Trevor Jones, who was already deep in the work. Late in production, Mann decided the story needed orchestral sweep instead. Jones scrambled to rearrange his work for orchestra while Mann kept re-cutting and revising scenes, forcing cues to be rewritten repeatedly. Eventually, Randy Edelman was brought in to score scenes Jones no longer had time to finish. The dual credit — Jones and Edelman sharing composer duties — made the score ineligible for Oscar consideration.

The main theme, "Promentory," became the score's signature anyway, instantly recognizable and unforgettable. What most viewers don't know: it's an orchestration of "The Gael," a song by Scottish singer-songwriter Dougie MacLean from his 1990 album The Search. MacLean's folk melody, arranged for full orchestra, sounds like it had always belonged to Mann's frontier.

The film grossed $143 million worldwide — $75.5 million domestically against a $40 million budget — and its Best Sound win at the 65th Academy Awards remains, to date, the only Oscar a film directed by Michael Mann has won. The theme's grip on the culture only tightened with time: music from "Promentory" ran in a fall 2007 Nike NFL commercial, also directed by Mann.