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Alrighty then. A pet detective in a Hawaiian shirt talks out of his own rear end, rescues the Miami Dolphins' kidnapped mascot, and turns a $15 million comedy into the launchpad of Jim Carrey's insane 1994. Critics hated it; recess quoted it for years.
A Buffalo TV reporter yells at God, and God hands him the job for a week. Jim Carrey's 2003 hit opened on a Memorial Day weekend that beat The Matrix Reloaded, and the pager number on screen was real enough that strangers in two countries fielded hundreds of calls meant for the Almighty.
The Farrelly brothers' breakout comedy starred Jim Carrey and Jeff Daniels as two hopelessly incompetent best friends on a cross-country road trip. Dumb and Dumber capped Carrey's historically unprecedented 1994—the year he also starred in Ace Ventura and The Mask—and grossed nearly $250 million worldwide on a modest budget.
A fast-talking lawyer who lies for a living is magically cursed to tell only the truth for 24 hours after his neglected son blows out his birthday candles with a single wish. Peak rubber-faced Jim Carrey, physically at war with his own mouth. Directed by Tom Shadyac, it was one of 1997's biggest comedies.
Jim Carrey's dark left turn: an obsessive cable installer who hooks you up and never leaves. Ben Stiller directed, Judd Apatow produced, and Carrey took a then-record $20 million payday to unsettle the exact audience his goofball hits had built. Critics split hard in 1996; the cult came later.
Jim Carrey endured 92 days in Rick Baker's green-fur prosthetics — painful yellow contact lenses, panic attacks, and an offer to hand back his $20 million payday and quit. Ron Howard's Whoville fever dream became 2000's biggest movie at the US box office anyway, and it has owned basic-cable Decembers ever since.
Ssssmokin'! Stanley Ipkiss puts on a cursed green mask and becomes a zoot-suited cartoon come to life — eyes bugging out, heart pounding through his chest. The Mask turned Jim Carrey into a literal living Tex Avery gag and gave the world Cameron Diaz.
Jim Carrey's first great dramatic turn: Truman Burbank is an ordinary insurance salesman who slowly realizes his entire hometown is a giant TV set and everyone he knows is an actor — his whole life broadcast 24/7 to the world. Directed by Peter Weir from an Andrew Niccol script, it turned a high-concept nightmare into a tender, unsettling fable that only looked more prophetic as reality TV took over.