Sugar Ray — "Fly"
The song that flipped a funk-metal band into sunshine pop overnight—bleak lyrics about death and loss wrapped in a breezy reggae-tinged groove, with Mark McGrath's frosted tips as the era's defining haircut. It owned the radio all summer and never touched the Hot 100.
Sugar Ray came up as a funk-metal band, and frontman Mark McGrath was committed to the heavy stuff—he "wanted to scream and yell." So when "Fly" emerged, breezy and almost whispered, McGrath resisted the direction until director McG talked him into it, joking that the alternative was working at Del Taco. The gamble rebuilt the band overnight, and McGrath's frosted tips became one of the defining looks of late-'90s pop culture.
Released May 16, 1997, from the album Floored—which carries the song twice, once with reggae legend Super Cat and once without—"Fly" dominated radio immediately: #1 on the Hot 100 Airplay chart for four consecutive weeks, #1 on Modern Rock Tracks for eight weeks, and #1 in Canada. But it never appeared on the Billboard Hot 100 at all: with no commercial single released, album cuts weren't eligible under that era's chart rules, making "Fly" one of the decade's biggest radio songs with no Hot 100 line to show for it. McGrath pointed out the trick that made it work—stark imagery about death and the loss of a mother tucked under an impossibly sunny melody everyone sang along to anyway.
VH1 later ranked "Fly" #52 among the 100 greatest songs of the '90s. Sugar Ray kept making hits, but this was the hinge: the moment a band built to scream discovered it was better at summer.
Similar items
Sugar Ray
The funk-metal band that flipped into sunshine pop overnight with "Fly" in 1997—a reggae-tinged groove with bleak lyrics about death wrapped in an impossibly breezy hook, with Mark McGrath's frosted tips becoming the era's defining haircut. They owned the radio from 1997 to 2001—"Every Morning," "Someday," "When It's Over"—then eased into the fade, with McGrath resurfacing as a celebrity-news host on Extra.
Third Eye Blind — "Semi-Charmed Life"
"Doo doo doo, doo doo-doo doo..." — the sunniest-sounding smash of 1997 was a song about crystal meth, and the radio edit made sure you couldn't tell. The hook that soundtracked every summer barbecue was hiding one of the darkest lyrics on the dial.
Len — "Steal My Sunshine"
The wobbly-sweet Canadian brother-sister one-hit wonder: a hungover-sounding boy-girl trade-off over a looping disco sample, sun-bleached and effortless. If 1999 had an official lazy-summer-afternoon soundtrack, this was it.
Torn
One of the biggest radio songs of the late '90s — and almost nobody knew it was a cover. Natalie Imbruglia's version went supernova in 1997, spending 11 weeks atop Billboard's airplay chart while barely denting the Hot 100, because you literally couldn't buy it as a US single. The video's film crew dismantled the apartment set around her mid-song.