Austin Powers in Goldmember
Beyoncé as Foxxy Cleopatra, Michael Caine as Austin's dad, a Dutch villain with a gold-plated problem, and an opening sequence in which Tom Cruise, Kevin Spacey, Danny DeVito and Gwyneth Paltrow play the cast. The 2002 threequel had the biggest July opening ever at the time and a title the Bond people tried to take away.
The third Austin Powers film, directed again by Jay Roach and written by Mike Myers with Michael McCullers, sent Austin to 1975. Dr. Evil's plan, unveiled from a lair behind the Hollywood Sign, is to partner with Johan van der Smut, a gold-obsessed Dutchman who lost his genitalia in a smelting accident and goes by Goldmember, and use a tractor beam to drag a meteor into Earth. Austin's spy father Nigel Powers (Michael Caine, in a part modeled on his own Harry Palmer) is kidnapped, so Austin follows the trail to Studio 69, a New York roller disco, and reunites with Foxxy Cleopatra, an undercover FBI agent played by Beyoncé Knowles in a part that parodies Foxy Brown and Cleopatra Jones. Myers played four roles: Austin, Dr. Evil, Goldmember and Fat Bastard, now a sumo wrestler in Tokyo. The finale reveals that Austin and Dr. Evil are brothers and that the doctor's real name is Dougie.
The cameos were the event. The opening sequence turns the story into a Hollywood blockbuster called Austinpussy, with Tom Cruise as Austin, Kevin Spacey as Dr. Evil, Danny DeVito as Mini-Me, Gwyneth Paltrow as Dixie Normous and, by the end, John Travolta as Goldmember. Britney Spears turns up as a Fembot in the credits, the Osbournes appear as themselves, Fred Savage is the mole called Number 3, and Scott Evil finally gives his father the sharks with laser beams attached to their heads.
MGM, which distributes the Bond films, took legal action over the title, and for a while "Goldmember" vanished from the trailers and posters. New Line prepared replacements, among them License to Shag, Live and Let Shag, You Only Shag Thrice and Never Say Member Again, before the dispute was settled on the condition that the film run trailers for Die Another Day and The Two Towers. It opened on July 26, 2002, to $73.1 million, the biggest opening for a spoof, for a comedy (over Rush Hour 2) and for the month of July, a record that stood until Spider-Man 2. It closed at $213.3 million domestic and about $297 million worldwide, seventh for the year in North America.
Reviews landed in the middle. Rotten Tomatoes sits at 52 percent, with a consensus that the structure is a mess but there are enough inspired bits to entertain, and Variety's Todd McCarthy felt the swinging-sixties recycling act was "now feeling a bit past its zeitgeist prime." Myers won the MTV Movie Award for Best Comedic Performance after losing with the first two films, and lost Best Villain to the girl from The Ring. A fourth film has been "coming" since 2005; Verne Troyer died in 2018, and in June 2026 Myers answered a question about it with a one-word yes.
Similar items
Austin Powers
Mike Myers as the swinging spy, the bald nemesis, and eventually half the cast — a three-film Bond parody whose catchphrases colonized every schoolyard in 1999. The humor ran racy for its era; the craft underneath is what stuck.
Beyoncé
The girl-group superstar who bet on herself and became simply the biggest star in music. From "Crazy in Love" in the summer of 2003 to "Single Ladies" closing out 2008, Beyoncé's solo run WAS the sound of the decade.
Britney Spears
A former Mickey Mouse Club kid whose debut single '...Baby One More Time' (September 1998) and January 1999 album catapulted her to megastardom as the defining pop voice of the millennium. TRL countdown staple, Rolling Stone covers, Pepsi deals, and cultural omnipresence through the early 2000s with 'Oops!... I Did It Again' (2000) and 'Toxic' (2003–04).
The Osbournes
The reality show that turned a heavy-metal legend into a beloved, bumbling TV dad. Premiering on MTV on March 5, 2002, it followed Ozzy Osbourne and his family — wife Sharon, son Jack, and daughter Kelly — through the chaos of daily life in their Beverly Hills mansion. Ozzy shuffling around cursing at the remote control became one of the decade's defining TV images, and the show's runaway success helped invent the celebrity-family reality genre.